The editors of Rock & Sling believe that the act of writing and of reading literature is a way of witnessing to the truth of experience, drilling down to the core of language’s vitality, and accepting an understanding of artistic language as a kind of testimony. The word “Witness” means to testify: to tell the truth. The demands of the word are bracing in its charge to the writer to understand that his and her work matters not just as expressions of experiences and responses but as an active language engaged morally as well as aesthetically. To tell the truth is an act of responsibility as well as an expression of hope. To testify is an act of responsibility as well as an expression of faith.

Rock & Sling is a literary journal of witness, published twice a year at Whitworth University in Spokane, Washington. Rock & Sling was founded in 2004 by Susan Cowger, and came to Whitworth in 2010. We are a member of the CLMP and distributed nationwide by Ubiquity Distribution.

Editorial Staff:

ThomCarawayThom is an associate professor in the English department at Whitworth and teaches a variety of creative writing, literature, and publishing and editing courses. His poems have appeared in Ascent, Redivider, Smartish Pace, Sugar House Review, and elsewhere. His books include A Visitor’s Guide to North Dakota and No Secrets to Sell.

The work I prefer rarely takes a single form. It is often work that blurs traditional lines, either culturally or structurally. I want the magazine to embrace complexity, to be afraid of nothing, to push our understanding of ourselves and the ways we think about literature. I like art that takes risks, but still remembers to be good art. I realize this is vague, so let me provide a couple of my favorite lines:

“Suddenly I realize / that if I stepped out of my body I would break / into blossom” James Wright, “A Blessing.”

“The soul’s growlspeak / is strange- // prisoned / in foot-arch // in laurels” Carly Joy Miller, “apostle drives the coastline” (Rock & Sling issue 9.2, 2014).

“If the locomotive of the Lord runs us down, / we should give thanks that the end had magnitude” Jack Gilbert, “A Brief for the Defense.”


Laurie picLaurie has lived in the Pacific Northwest and taught poetry workshops and literature seminars at Whitworth since 1985 (where she is a professor in English and the Amy M. Ryan Endowed Professor of the Liberal Arts). She received her doctorate from the University of Utah and her MFA from the University of Montana. Her poems have appeared in many journals and magazines, including The Atlantic Monthly, The New Republic, Ploughshares, Colorado Review, Arts & Letters Journal of Contemporary CulturePrimavera, and Poetry Northwest. She is the recipient of a Washington State Artist Trust Award in 2005, a Graves Award in 2002, and a Pushcart Prize in 2001 for the poem “Pain Thinks of the Beautiful Table.” Her books include The Fork Without Hunger and Without Wings, both published by CavanKerry Press.


  • Assistant Poetry Editor: Emily Hanson

Emily HEmily is a Junior at Whitworth University, majoring in English Literature and Writing, with minors in Women and Gender Studies, Spanish, and Editing and Publishing. Emily discovered her love of reading in kindergarten when she decided she wanted to become Nancy Drew. Sadly, she never achieved this goal, and now lives vicariously through the characters in her books. Emily can usually be found with a cup of coffee and a book, reading in a corner of the English department when she has a moment of free time. She is an advocate for the Oxford Comma, her guilty pleasure is Supernatural, and she will argue the importance and the literary value of horror novels with anyone, anytime.



julie riddle picJulie is senior development writer at Whitworth University and editor of Whitworth Today magazine. She also serves as the craft-essay editor for Brevity. She is the author of a memoir, The Solace of Stones: Finding a Way through Wilderness (University of Nebraska Press). Her essay, “Shadow Animals,” appeared in The Georgia Review (the essay received a Special Mention in The Pushcart Prize XXXIX: Best of the Small Presses and was nominated for a National Magazine Award). She holds an MFA from the Rainier Writing Workshop at Pacific Lutheran University.

I love being part of the Rock & Sling crew as the journal’s creative-nonfiction editor. A great day is when I read a submitted essay that surprises me with fresh language and an assured voice, and that seeks to deepen a question rather than simply answer the question, and does so with honesty and authenticity.


  • Fiction Editor: Jake Andrews

JakeJake is an assistant professor in the English Department at Whitworth University where he teaches a range of creative writing and literature courses. He was a Teaching-Writing Fellow at the University of Iowa Writers’ Workshop and before that he taught theology at universities in the U.K. His story, “Tu quoque,” won the Raymond Carver Short Story Contest, and his novel, Fiat Vita, was an honorable mention in competition for the James Jones First Novel Fellowship.

I look for stories that are precisely that: stories first, whose significance, or “meaning,” only appears in retrospect, ones that make me feel something before they make me think something. For me, great stories are grounded in place, with full-blooded characters who experience the world as it is, not as it should be. Perhaps the characters are quiet, introspective; perhaps they act rather than speak or think. What I want is to forget I’m reading and be caught up in a world so real, so well imagined, that – after finishing – I need a moment to reorient myself to life off the page.


  • Assistant Fiction Editor: Meghan Foulk

Meghan chewbacca pic

Meghan is a junior studying Communications at Whitworth University with minors in English, Editing and Publishing, and Women’s and Gender Studies. She also works at the campus library, which is no surprise to her friends and family. Meghan’s love of reading skyrocketed after discovering the sci-fi and fantasy genres, particularly The Hobbit. She also dabbles in art and design, with experience in designing t-shirts, graphics, and painting murals. Her free time is usually consumed by coffee and debating the next season of Game of Thrones or getting emotional about Star Wars.


  • Web Editor: Jenn Rudsit

Jenn picJennifer is a Whitworth English Department grad, where she was involved with Rock & Sling as an Editorial Assistant. She holds a Certificate of Publishing from the University of Denver Publishing Institute and is currently an Administrative Assistant/Associate Registrar at Pacific Northwest Ballet. Her current reading obsessions include historical fiction, angsty Christian memoirs, and rereading books she read in middle school. When she is not reading she enjoys watching dance choreographed to poetry, exploring Seattle’s various parks, and venturing into the world of bookstagram.


  • Managing Editor: Allie Shook-Shoup



  • Assistant Managing Editor: Bryn Cavin

Bryn picBryn is a junior at Whitworth University with a major in English Literature and Writing and a minor in Editing & Publishing. She was pulled into the wonderful world of poetry during her freshman year by Laurie Lamon and joined Rock & Sling’s editorial board the following year. When she isn’t doing school-type things, Bryn can be found chasing sunsets, plotting new adventures, or curled up in a cozy chair with a book, a dog, and a cup of coffee.

For questions, email Allie at ashoup [at] whitworth [dot] edu.




About Whitworth University

Since 1890, Whitworth has held fast to its founding mission of providing “an education of mind and heart” through rigorous intellectual inquiry guided by dedicated Christian scholars. Recognized as one of the top regional colleges and universities in the West, Whitworth University has an enrollment of 2,700 students and offers 55 undergraduate and graduate degree programs. In recent years, Whitworth has enjoyed record levels of student enrollment and retention, the strongest financial position in the university’s history, and increased external visibility.

Whitworth University’s 200-acre campus of red-brick buildings and tall pines offers a beautiful, inviting and secure learning environment. More than $83 million in campus improvements have been made over the past decade, including a new center for the visual arts, a landmark general academic building, three new residence halls and several outdoor athletics facilities.

In all of these endeavors, the university seeks to advance its founder’s mission of equipping students to “honor God, follow Christ and serve humanity.”

USE THIS whitworth-logo-horizontal-rgb

40 thoughts on “About

    1. Hi. A month ago I subscribed to Rock And Sling. I’m so excited! I can hardly wait for my first copy! Will it come soon?

  1. Wanted to let you know that one of the poems I submitted on November 11th, “Devil Born,” has been picked up elsewhere. The rest of the submission remains available.

    Happy Holidays

  2. I believe you found my submission “Bottled Water” to be not a good match for your publication. However your automated submission manager fails to indicate same.

  3. I see you have a place to “subscribe,” but I’d really like to buy a couple of copies of the last journal. How do I go about ordering copies?

  4. Hi Thom: How do we go about changing addresses for current subscribers? I think I forgot to do that and may have missed the last issue…

  5. This is a question for the editors: do I have to be on Facebook to submit poetry? I don’t like Facebook. I’m old and private. Is the account I sign up for on the site just for you for submission purposes, or is it a sign in to the “f word?” thank, Bonnie Thurston

  6. Hi. On April 1, 2012 I ordered and paid for a copy of Rock & Sling. I still haven’t gotten it. Sorry to post this publicly, but I didn’t know how else to contact you. Would really like to receive the journal!

  7. On 5/5/12 I submitted 5 poems for your consideration. I just heard this morning that “For All That Is” and “Elected Silence, Sing to Me” have been accepted for publication. The other three are still available. They are, “This Long Novitiate,” “The World Will Be Saved by Beauty,” and “Seed.”

    Thank you, Sharron Singleton

  8. Oh, I went through your on-line submission manager but must have done something wrong. I’ll try again. Thanks for letting me know. Sharron Singleton

  9. My poems “Abstract Child,” “Harrowed in the Dusk” and “Splashdown” have been accepted elsewhere. The poems “Wasteland Ballad” and “Claim” are still available. Thank you.


    Richard King Perkins II

  10. Hello,

    I just finished an essay written in the spirit of Jonathan Swift’s “A Modest Proposal” but with a decidedly contemporary subject matter. Would you be interested in reading it? If so, what genre should I send it under?


    “A Modest Proposal in This Post-Modern Age of Civility and Progressive Pragmatism for Preventing the Offspring Products of Rape and Incest from Destroying America”

    Dennis Gillenwater

  11. Dear Laurie,

    I submitted five poems earlier this fall. However, recently I gave a public reading of two of them and realized that one needed some revision. Would you receive from me an edited version of “Near Pickering or An Ode to Lake Ontario”? If so, please let me know how I should send it to you.

    All the best,
    Lori Vos

  12. I subscribed to your quarterly last year for my son, and we only received an issue in April of 2016. Why not the others???
    Daniel Rice / Malcolm Rice

  13. Hi! I submitted a fiction piece the beginning of November. I haven’t received anything back on it. I was wondering how long it takes to get feedback?

  14. Hello and Happy New Year. I understand this public forum isn’t the most professional way to inquire about a submission, but I couldn’t find another link or way to contact you. My poem “In Praise of the Black Ghostbuster” was submitted on 8/5/2016. and I wondering if it is still under consideration with your publication. Be blessed.

  15. Hello. I don’t know how else to inquire about my submissions. I submitted two poems on 8.25.16. They were “Fourth of July, 1998” and “First Day Out.” Just wondering if you’ve made a decision. Thanks so much.

  16. Hello,

    Sorry, I was not sure how else to make contact, but I noticed on Submittable that my piece “Philosophy on Ornithology” has been labeled “In-Progress” for several months now and have not yet heard back on it. My other works “Mixed Blessing” and “Apology” have also been “Received” for the same time as well. Just wanted to know about the current status of these poems.

    Thank you,

    Will McCabe

  17. Dear Editors,

    I submitted a trio of poems entitled ‘Birdsong I, Birdsong II and Birdsong III’ to Rock and Sling Magazine and last year on the 4th November 2016, I received the email reply below (from Professor Thomas Caraway) regarding my submission which I replied to directly and via Submittable. The submission is still showing as ‘in-progress’ in Submittable and in my reply, I stated that I would be more than happy for Rock and Sling to accept Birdsong III as a standalone poem for inclusion in the journal.

    However, I have not as of yet received an update. Please could you inform me if you would still be happy to include Birdsong III in a future edition of Rock and Sling (as indicated by the editorial feedback below).

    I look forward to hearing from you soon.

    Kind regards,
    Juned Subhan (Mr).

  18. I was just wondering if you would consider a short script/screenplay (no more than ten pages) in your list of work that blurs traditional lines. I have something that I feel may meet your magazine’s aesthetics, but I did not want to waste your time if the point is moot. Thanks.

  19. Dear Poetry Editors,

    You posted decisions on my other four poems two weeks ago. Is “Autumn Elegy” still under consideration as indicated on Submittable?

    Many thanks,
    Bruce Lader

  20. Dear Poetry Editors,
    I am having difficulty finding another way to contact you. I hope this is an acceptable way to inquire about submissions. I posted two submissions on October 22nd (“Early I Rise” and “Of Darker Days”) and haven’t heard anything back yet. This is the first time I’ve submitted anything to a print publication so perhaps this is typical. If you could let me know what a reasonable time frame is for acceptance or denial of submissions, I would be most appreciative!
    Gretchen LaSalle

  21. Dear poetry editors,
    I was unable to figure out on your submission page how to withdraw a single poem in a submission, so I apologize if this method of contacting you is inappropriate, but I have just had one of the five poems in my current submission, “Vinegar,” accepted by another journal and will need to withdraw it from your consideration.I hope you will continue to consider the remaining four poems.

    Thank you.
    Marjorie Stelmach

  22. Editors,

    Your Submittable page seems to suggest that prose submissions are open, but there is no button to submit prose…?

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