Artist Series: On Becoming Something, Possibly a Novelist

In John Gardner’s Becoming a Novelist, the author names two kinds of writers. One is fascinated by their own inner world, crafting characters as they appear before them. I think of Virginia Woolf’s Mrs. Dalloway — the complex inner-life of a woman receiving the world like she’s casting a net into the sea and is more interested in how the net does its snaring work than in what she hauls in.

Artist Series: When Pigs Fly

In photos of cows and pigs, I began to see sentient souls looking back at me. I would lose my breath at the beauty I had never known to look for in “livestock.” I felt myself peering into the eyes of a goat and searching for a language other than English in which to communicate, a language that has nothing to do with words.

12.2 Contributor Notes

With a poem, faith is a hidden constellation, beginning with the still-mysterious act of writing. The blank page, which is simultaneously white and dark, is the abyss each writer stares into until the moment, as Nietzsche said, where the abyss stares back into the writer.

Rock & Sling at AWP: Mapping Our ‘Little’ World

So, of course, AWP this year was slightly different. This year I not only knew what to expect, but could walk past the tables and mutter to myself, “Ah! It's that journal, so glad to see them here. Wonder if they are still...” or “I have to find this journal. I saw it while researching and it looks beautiful!” Whatever the utterances, I no longer felt like an uneducated impersonator in the sea of writers, editors, and publishers.

Imprint

In the same way, if I spend so much energy and effort trying to create music or art or poetry that is meaningful, or beautiful, shot-through with light, grace, insight, and love, how can that not spill over into working for these things in the larger world?