A note from Rock & Sling: Jason Mehl’s essay “Ears to Hear” appears in Rock & Sling 13.1. You can read the essay here. By Jon Maire On the surface, “Ears to Hear” is an interesting personal essay about a safari and a guy with a real – or imagined – heart problem. But when … Continue reading An Interpretation of Jason Mehl’s Essay “Ears to Hear”
These shifts of the perceived subject happen frequently throughout the poem, and cause me as a reader to reread previous lines differently due to the knowledge gained from later lines.
With a poem, faith is a hidden constellation, beginning with the still-mysterious act of writing. The blank page, which is simultaneously white and dark, is the abyss each writer stares into until the moment, as Nietzsche said, where the abyss stares back into the writer.
Like books, blog posts plunge me into a perspective different than my own, but in a way that is immediate, a compact chunk of text to absorb while taking the bus to work, multitasking during a Netflix binge, or sitting on a park bench during my lunch break. The great posts divert me from my comfort zone, helping me see myself, my community, my life, in new ways, sending me back into my day with a subtle shift in perspective, a gentle (or not so gentle) nudge to keep chewing on this new idea.
When we reach out in words, where we’re safe, we prepare to cross a boundary with respect at our next opportunity. We prepare to offer the comfort we weren't able or brave enough to offer when our last chance arose.
From issue 10.2, on shelves next week, is Katie Manning. For the past three years, my primary writing project has been a collection of poems with the working title All That Remains. This project began because I was tired of people taking language from the Bible out of context and using it as a weapon … Continue reading Contributor Note, Katie Manning
Instead of simple biographical material, at the end of every issue, we ask our contributor's to reflect on the connections they see between their faith and their work. Every issue, we end up with 20 or so mini-essays on the nature of art. From issue 10.2, here is Cameron Alexander Lawrence: I wrote “The Baptism” … Continue reading Contributor Note, Cameron Lawrence